
I'm happiest with a brush in my hand, and art quilts allow me a large- scale, exuberant canvas. Although visually abstract, my work constantly mines the daily life experiences of family, society and the natural world, with a hefty dose of music to guide the hand.
The imagery I use in my art quilts falls into several categories. Painterly quilts are abstract, expressionistic arrangements of color. Botanical imagery is derived from nature but not in a strict, illustrative approach. I tend to abstract natural imagery into lyrical compositions. The last category I often explore is pattern on pattern; often this has a more geometric arrangement.
The Handwork Series: the India Cafe pays homage to the unseen hand in the events of artists' lives — the hand, too, that binds friendships amongst us. The screen print used in this piece is derived from drawings of fellow artists' hands. Barely visible from the front of the quilt, the hand is obvious on the reverse, making the quilt viewable from both sides. The color palette was inspired by many Friday lunches shared with artist friends at the India Cafe. It was also recently chosen as the cover illustration of the Fiberarts Design Book VI, a survey of contemporary fiber art, published in 1999 by Lark Books.
Bennett received her BFA in printmaking from Indiana University and has exhibited and taught at various locations throughout the country. She is a resident of Iowa City, Iowa and is the long time manager of Iowa Artisans Gallery.
Astrid was a Visiting Instructor, Fiber Arts, University of Iowa (1990-91) and has also taught workshops in a number of places, including Penland School of Crafts, Earlham College, Iowa Wesleyan College, Cedar Rapids Fiber Artists, Midwest Weavers Conference, Arts Iowa City, plus historical & hands-on workshops on Japanese textile techniques and projects suitable for classroom teachers through the Iowa/Japan Cultural Alliance.